Wax Stories #5: Wilco – Yankee Hotel Foxtrot

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I can’t be the only one with strong ties to Yankee Hotel Foxtrot. There’s so many stories I connect with this album. The physical vinyl LP was given to me with several on Christmas Eve of 2011 by Kristin the night I proposed (I’ll do a separate blog later on detailing all of these records and tell that story). There was also the time I avoided listening to “Jesus, Etc.” for a year after Nate sent me the mp3 because I thought the title sounded sacrilegious and then it went on to become my favorite song of all time. But I always come back to one particularly unremarkable night in my car when I think about this album: the elusive night drive.

It was my sophomore year of college and I was living at home during winter break. I had just gotten off the ferry in Bremerton after seeing Devendra Banhart play at the Showbox at the Market in Seattle. The show got out late and the ferry ride took about an hour so by the time I arrived at the terminal it was already 2 a.m. I made my way to the underground parking lot praying I didn’t get a ticket. I was late on my way to the ferry earlier in the day so I didn’t have time to pay for parking and still make the boat – so I unwisely decided to take the risk of getting a parking ticket. As I walked toward my car I sighed relief as I saw no envelope in my windshield.

At this time I was driving a 1985 Nissan 300 ZX. As I mentioned in my Grand Ole Party blog, I’m not a car nut – but I loved this car. It was charcoal gray, had two doors, and featured a futuristic digital dash display (that often lied to me about my gas tank). The car had a lot of issues and my dad helped me keep it going for a long time. He originally bought it from a coworker as a project car but once I gave it a spin it bewitched me. Everyone I came across told me that my car looked like it would be my car. I played my first gigs hauling instruments in the small backseat, took it on some of my first dates, got lost on many trips around Seattle by myself in it, and almost died a few times in it when the acceleration lulled out (much to my future wife’s terror a few times – sorry, Kristin). My dad put in a new CD player in the car before I got my license. The first song I listened to in the car when I finally could drive alone was “Hell Yes” by Beck off of Guero, but Wilco has been in my cars pretty much from the first week of driving through now.

I turned on the ignition and punk noise blasted from the aging speakers. I ejected the disc – The Divorce’s There Will Be Blood Tonight, and searched through my middle console for the right music to fit the mood. My car was always messy so I’d have to sift through dozens of unmarked mix CDs and busted jewel cases to find what I wanted. I finally settled on Yankee Hotel Foxtrot. I wonder how the night might have felt differently if I’d left in The Divorce or just put in some random mix. In either case, Jeff Tweedy was going to soundtrack me through a introspective, heist feeling that would result in vague revelations and zero theft.

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I Am Trying to Break Your Heart

I pulled out of the parking lot and down the road, focusing hard to not make any stupid turns. I’m notorious for having a terrible sense of direction, even in places I’m familiar with. Eventually I was spit out near Callow Avenue in downtown Bremerton. At a stop light, I looked into a parking lot in front of a strip mall where a church I used to attend once met. Feeling nostalgic, I briefly considered pulling into a parking space to look at the empty room but noticed someone else was already there doing exactly that. Instead I drove on. I took a left on Callow and passed some of my favorite old haunts and venues that I used to play shows at – namely The Charleston as well as the The Artists For Freedom and Unity Gallery. I laughed to myself as I took a look at Elmo’s Adult Book Store. At this point I start to think I should right down all of these thoughts I was having when I got home (which I did in a scattered Facebook note).

Kamera

I continued down the road and hoped on the highway. Large sections of Highway 16 are not lit very well, so at night there’s this looming darkness that adds to the solitude when you’re on the road alone. Hardly anyone drives this late around here. Whereas when I’m driving in the city I get flustered, highway driving always puts me at ease. I let my thoughts wander just enough so I can still keep focus. I run through different ideas about music, writing, and relationships that all seem revolutionary until I forget them immediately when I reach my exit.

Radio Cure

I took the Sedgwick Exit, passing a Shari’s hexagon and the golden arches. As my car climbed up the hill I remembered a hitchhiker I saw the night before at this spot. I started to regret not picking him up. Was it the safer choice? Am I a bad person for assuming the worst in people? There is something wrong with me. I began to wonder if I stress to much about trying to be a good person and put unrealistic expectations on myself.

War On War

I drove by an abandoned gas station across from Fred Meyer. For some reason whenever I see this place I remember when my mom would take me here on my way to school in Kindergarten to buy my lunch. I loved the Oatmeal Raisin “Grandma’s Cookies.” Now the building is vacant. But tonight there are a bunch of cars parked in front of it with their lights on. I may not be the best judge, but it looked like something sketchy was going down. I briefly considered pulling through the parking lot to catch a glimpse of what was happening. I also consider calling the police to let them know of the suspicious activity. In the end, I do neither. There is something wrong with me.

Jesus, Etc.

I decided after this that I was going to take the long way home, which really meant go out of my way to make the trip longer. It was an impulse more than a plan. And by impulse I mean hunger. I was really craving some Taco Bell. I’d become accustomed to late night Taco Bell or 7/11 runs with friends. To me, going to grab fast food at two in the morning wasn’t a big deal at all. Though in this moment I wonder if I’m really making healthy choices, but quickly disregard that thought as silly.

As “Jesus, Etc.” played, I started to think about “the state of contemporary music” and got myself t into a self entitled fury. Then I started to feel like an asshole. Who really cares what I think? In the end my opinion doesn’t really have much weight on what the masses should like. What right do I have to be legitimately concerned about music – like it’s some sort of maternal (or paternal) instinct? I chalked it up to me being a pretentious hipster asshole and make not to try and not be a pretentious hipster asshole.

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Ashes of American Flags

I pulled up to the Taco Bell on Mile Hill only to find all of the lights off. I thought, “maybe it’s still open and they just turned off most of the lights to save energy or something.” I decided to go through the drive-thru anyway. I was sure that Taco Bell was open till 3 a.m. Going through the dark pathway was haunting. The noise at the end of “Ashes of American Flags” played as I drove. The menu lights were off and the street lamps were dark. I got out as fast as I could. Some sort of paranoia told me I needed to leave. I was ashamed at how terrified I was.

Heavy Metal Drummer

I was still hungry.

A part of me wanted to get into some sort of mischief, but it was really unlikely that I would. The only place that I could think of that would be open with greasy, ready-to-eat food was a convenience store. My route changed to AM/PM. I drove down the hill to the AM/PM and pulled in to the parking lot and spot a souped up, red sports car (the make I didn’t try to identify, but it noted to myself that it looked stupid). A guy sat in it with who I assume is his girlfriend. He began revving his engine at me. I laughed to himself. I could tell he was trying to impress his lady friend. Obviously calling out me and my unwashed, dirty Nissan is going to be a panty dropper. But in my head I played out the situation as something else. Maybe he mistook me for someone else. Someone he had a grudge against and he was waiting for me to come out of the store so he can make his attack. I began to become a short-lived inside joke with myself as I walked into the store and picked up a cheeseburger that’s been there for who knows how long.

I’m The Man Who Loves You

As I stepped out of the store I saw Mr. Red Car Doucebag still sitting with his engine on at the opposite side of the parking lot.

“Maybe I wasn’t being so absurd after all…,” I thought.

Everything then seemed so cinematic. I began to imagine that he wanted to race me. Maybe he had thought my car was actually a racing beast that I hid under a layer of grime so people wouldn’t bother me. I’ve always had an active imagination.

I quickly hoped into my car and rushed to the opposite exit of the parking lot. “I’m The Man Who Loves You” is booming in my speakers and I could not think of a better get away song in that moment. I was smiling to myself as I pulled on to Jackson Avenue. I had gotten away. Then the realizations came. He didn’t want to race me. He probably didn’t even notice you. I then started thinking how stupid it was all going to sound when I went home to write it down.

Poor Places

I kept quiet as I continued driving. I decided it was finally time to go home. Every once and a while I would wonder if Mr. Red Car Douchebag was still following me, maybe keeping his distance. He wasn’t.

Reservations

I pulled in to my driveway as the last song comes on. I know this could be the dramatic finale I need to cap the story. Jeff Tweedy says so many beautiful things in this song that I know will give me so much to think about with love, desperation, and longing. I sat in my car for the first minute of the song but then I decided it was too much. I couldn’t contrive more out of this evening. You can’t force something to be organic. So I turned off my car.

I walked to the porch, turning the key carefully to not alarm my dogs who would in turn wake up my dad. I can’t remember, but they probably did end up barking. I made my way upstairs and climbed into bed and pulled out my laptop. I wrote down my ridiculous stream of consciousness and pressed publish, awaiting what my friends might say. At the moment I thought it was brilliant, but I suspected others wouldn’t think so. I also suspected I wouldn’t think so as time went on as well. Everything about this drive felt so important to me. The music felt important to me.

Three years later I’m still not sure it means something at all, but I can’t listen to this album without thinking about it.

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Previous Wax Story: Grand Ole Party – Humanimals

Next Week: The Avett Brothers – Emotionalism

Follow me on Twitter: @DustyEffinHenry

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Wax Stories #3: David Bazan – Curse Your Branches

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Sophomore year of college seems to be the “existential crisis” year for most people I know. Freshman year is all about meeting new people, having new experiences, and having the misplaced sense of independence (“I’m an adult now. I don’t live at home. I live in a dorm that my parents pay for and use a meal plan that my parents also pay for”). After the hype of college life dies down, it’s time to process all these new ideas and worldviews that have been stewing over the past year. If anything, I found this to be true for me.

I get a bit nervous writing about faith and thoughts on religion on my blog; I fear what impression it may give people and put everything into some weird, pigeonholed context. However, I feel this album is a good outlet to talk about it. If anything Curse Your Branches has helped me move on from closed mindedness and in to something else that I’m still trying to figure out.

At the end of freshman year, David Bazan – still newly solo after the break-up of Pedro The Lion – played on my campus in association with our campus radio station KSPU. I’d been listening to Bazan and Pedro The Lion since high school per suggestion of my friend Nate. This wasn’t the first time I’d heard Bazan play, but I was intrigued at the idea of him playing on a Christian college campus. Pedro the Lion was often mislabeled as a Christian band, but at this point it was becoming prevalent that Bazan was no longer a believer. I remember feeling secretly guilty singing along to  “Cold Beer & Cigarettes” from his solo EP Fewer Moving Parts in high school, which featured the Bazan husky voice belting “what a cruel God we got” and references to vaginas and sexual deviancy. I was surprised Seattle Pacific University would even allow something like that presented under their banner.

Bazan stood on the stage with only a guitar and a light projection of broken glass behind him. He opened with a song that at the time was titled “Graduation Day.” Opening with a new song is a bit unusual, but I studied the lyrics as he sang. Primarily it questioned the biblical creation narrative, but it was the last verse that felt painfully relevant to the room:

So I swung my tassel
To the left side of my cap
Knowing after graduation
There would be no going back

And no congratulations
From my faithful family
Some of whom are already fasting
To intercede for me

It felt a bit heavy handed to me in the moment, but it was the first time listening to Bazan that I got the impression he had a statement he wanted people to know. If that were true, he definitely got my hooked.

That summer, in 2009, I went to Alaska with my buddies Zach and John to work at a helicopter tour company. After spending a year in the dorms feigning self-sufficiency, I got what it really meant to grind out 50 hour work-weeks and have most of your paycheck go to rent and bills. Being away from most people I know gave me time to think and absorb challenges I had to my worldview in the last year, among other things (future Wax Stories referencing Alaska are sure to come). At night when I would read on the couch, I’d put Pedro the Lion’s discography on shuffle through my laptop speakers. I’m pretty sure Zach and John were pretty sick of hearing it all the time, but it gave me a chance to really listen to what Bazan was saying on those Pedro the Lion albums and try and use them to decipher my experience hearing him at SPU.

Bazan released an acoustic version of “Please Baby Please” earlier that year that I listened to obsessively. But when I found “Hard to Be” (formerly titled “Graduation Day”) streaming on Last.FM when I got back from Alaska, I knew this album was going to take things further than he had with Pedro the Lion. I knew it was something I needed to hear.

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And now it’s hard to be
Hard to be
Hard to be a decent human being

Curse Your Branches is the first album I can recall ever pre-ordering. I had it shipped to my new dorm, which I was living in alone for a few weeks before school started. My stereo was damaged during move-in, so it would be a while before I could actually listen to the vinyl, but I immediately pulled out the download code from the packaging and listened through my laptop.

I’d been going to Christian schools since I was 13. That doesn’t make me a theologian by any means, but gave me a decidedly evangelical perspective on things. I don’t want to completely disown my education – I feel like I did learn a lot of valuable philosophies and concepts, but I was really only seeing one side of a controversial and often upsetting story. Of course I had questions and issues with things that came up in the Bible, but everyone I was surrounded by was so sure that all of it was true and said they could cite exact scientific and moral reasons why. Everything could be explained through tactful apologetics. So any doubts I had, I repressed. Not specifically because anyone told me not to question, but because I personally felt it was inappropriate. So when “Hard to Be” opens Curse Your Branches, Bazan is bringing out all these questions I’d been denying myself all these years. It was heartbreaking, but at the same time intoxicating. It made me sad for him while feeling relief that I wasn’t the only one who felt this way.

The album then goes into a borderline parody of the Parable of the Weeds from the Book of Matthew on “Bless This Mess”, then a parable of Bazan’s own with “Please Baby Please,” and then to the title track “Curse Your Branches.” This is the one of all the tracks that will stick with me the most.

Red and orange, or red and yellow
In which of these do you believe?
If you’re not sure right now,
Please take a moment
I need your signature before you leave

How are we supposed to be so sure on what is the right religion or mode of thought when we have so little to go off and so little (relative) time to decide?

All falling leaves should curse their branches
For not letting them decide where they should fall
And not letting them refuse to fall at all

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These lyrics completely wrecked me. Every paper for a theology class that required some sort of faith statement would from then on have a burned copy of Curse Your Branches attached to them. The questions on this album sparked conversations with friends who were feeling the same things and with artists I’d interview for the paper. It prompted me to debate with my professors in class and call out things I thought were bullshit. To my surprise, sometimes they’d even agree with me. I’d spend late nights, when I should’ve been studying, reading lengthy interviews with Bazan talking about his lose of faith and reading the Bible with his daughter. There was so much I wanted to talk about with him. I wanted to hear it from him. I did this for years, and still sort of do today. I’ve realized he’s not the only one asking these questions, but he has become a figurehead to me for all the doubters.

Through all this though, I never have forsake my beliefs totally. I’ve really tried to rationalize myself out of it, but I can’t. There’s still something there. I can’t explain it and that’s really frustrating. I know I sound really ignorant and I don’t really know what to say to people who call me out on it. But this album changed how I view Christianity. It’s not as black and white for me anymore. It’s not something I can shout out some facts I read on an online form and claim I won. I’m not so much interested in debating anymore. I’m more interested in respecting people for who they are and accepting the same respect in return. I’m not going to stop looking for answers and questioning the weird things that are bound to come up.


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When I finally got the chance to interview Bazan a few month ago, I didn’t prepare the questions I would have in 2009. Just as I began to realize I am more than whatever views I’m struggling with right now, so is he. The subject was touched upon a bit, but mainly to help tell his story. When I spin Curse Your Branches today, the questions he brings up are still unanswered. I don’t know if they ever will be, but I feel like I’m in a better place for it. Bazan and I haven’t had the same realization exactly. I don’t think two people ever will. I just hope we can learn to accept that without taking offense.

And why are some hellbent upon there being an answer
While some are quite content to answer I don’t know?

Next week: Grand Ole Party – Humanimals

Previous Wax Story: Elliott Smith – Either/Or

Follow me on Twitter: @DustyEffinHenry

Misinformed Review #3: The 2x’s Band – “Cokesist”

I’m gonna start this review with a personal anecdote because that’s what Pitchfork does and I really want to write like a farmer so be the hell quiet and listen okay.

I remember once I was listening to a band and it was life changing and my life was totally different after that. I saw them in concert in the 90s and nothing is as good as the decades that I care about so this was important to me. I rode my bicycle down the street with this playing on a walkman but no one else could hear cause I was wearing headphones. Then I started whispering.

That segways into why I like this album. I like to whisper and so does the 2 X’s band. If you liked their first album then I guess you probably will listen to this.Their first album had an X on the cover and so does this one. Do you think the band knows that?

That being said, this was a big step forward for the The XXzibit. Instead of playing songs that people stay awake through they don’t do that. This is sad music but also not happy music.

One of the songs that people hear when they listen to the album is “Angles.” It’s acute song.

The next song is “Two chains.” At one point an angsty quiet, dark voice says something and then a slightly higher quiet, dark voice replied. This is a good direction for THE XXX Vin Diesel to go in, they should try to do this more.

Producer and beatguy Jamie XXX IceCubeVersion is really famous now so why does he make music still? He does because there is an ROI in music but not in other businesses. Drake likes him so I like him.

It is weird that the album is all about a beverage like coke. When I listen to The XoXo I normally think of Pepsi and tears drinks.

All in all this is music for smiling to with good friends, kicking back a few beers while playing some pong. I can’t imagine having a better time than listening to songs like “Oar song” and “Reonion” while crying myself to sleep because no one reads my reviews. Why do people not read my reviews? I am so sad and lonely but it’s okay because I have a blog and that gives me purpose.

This album could be better so I’m only going to give it 14 out of 7 stars because they could have whispered a lot more. More whispers means more record sales.

Thanks for reading I am still wondering if I have purpose. Bye.

Won’t Let Go

Photo by Dorothy Hyunh (http://www.dorothyhuynh.com/)

This post was written on August 14, around midnight, and published August 16.

I’ve avoided writing a blog about marriage or “life as an engaged person” post for a while. Most of the reason lies behind thinking that a lot of the posts I read like this are cheesy and (perhaps ashamedly) Kristin and I have both laughed at how strange some of them are (just kidding, no shame – they’re hilarious). So maybe I’ll end up in that “strangely comical lubby dubby blogger” realm if just for this post.

Right now I’m sitting alone in the apartment Kristin and I will share as our first home as a family. The living room is completely empty. I have two plates, two glasses, a bowl, and one of each type of silverware. My belongings, mostly clothes and records, are all collected in the bedroom. I haven’t really organized anything; I’m waiting until Kristin moves in so we can set things up together and make it our place.

It’s a surreal feeling, living like this. It’s peaceful and yet jarring. Everything feels like the calm before a storm, but instead of a storm it’s a whole new life waiting on the other side. When I can’t quite comprehend what I’m feeling and struggle to keep my thoughts straight I typically turn to music that I think captures it better than I think I’m able to.

I first heard “Won’t Let Go” when David Bazan played a snippet of it at The Triple Door during “The Song Show,” a series where CityArts interviews artists on stage between songs. Bazan’s been urged for a while now to write a conventional love song that doesn’t involve some sort of twisted scenario (not a lot of people bought his reasoning that “Please Baby Please” was a love song, a song where the narrator drunkenly pleads with his wife for a drink and later their daughter dies in a car accident – basically our generations “I Only Have Eyes For You”). Hearing just that little bit two years ago, I knew it was breathtaking. I thought the same thing when it was finally released on his album last year. But I don’t think I really “got it” until tonight.

As I work on the favors for our wedding, I have this song on repeat. The distant drums, the ethereal guitar twang, and Bazan’s aged soft growl are constantly buzzing in my ears. I can’t stop listening; I feel comforted. Basically in the song Bazan is calling his wife before getting on a plane, explaining that when she gets this message he’ll be on a plane thinking about her and his responsibilities to her – and that he won’t let go of her.

The premises sounds more like a Billy Joel, Peter Frampton, or, heck, even a Bruno Mars song – some generic safe musician. But it’s all about the execution of the story and who is telling it. The track bookends an album that starts with a chorus of “You’re a goddamn fool and I love you” and later details how we as people have lost our humanity. Not exactly “Baby I Love Your Way” now is it? Bazan’s had a rough road with faith that he’s shared publicly through his music and has also publicly mentioned its strain on his relationship with his family in interviews. To Bazan, this isn’t throw away napkin poetry but a thoughtful declaration.

“Who or what controls the fates of men I cannot say, but I keep arriving safely home to you. I humbly acknowledge that I won’t always get my way, but darling death would have to pry my fingers loose.”

What does it mean to love someone that you would literally fight off death, not for your own sake, but to not leave them alone? Darwin told us the animal kingdom is all about survival of the fittest, animals fighting for dominance and doing whatever it takes to get it. Bazan tells us his wife is worth more than pure alpha supremacy. What a novel concept, aye? This probably seems obvious and stupid but I think he touches at something even deeper – love is going against your human nature to give up everything for someone else. That’s beautiful.

It’s not just about avoiding death, it’s about allowing nothing to keep you from the one you love whether it is metaphysical or otherwise.  That’s an easy statement to make but a harder one to fully grasp – let alone follow through with.

In the over three years Kristin and I have been together, I’ve become closer to her than anyone in my life. In those years I’ve learned really for the first time what it means to sacrifice for someone you love. Not just little sacrifices, but knowing your capacity to do whatever you can to make sure they are safe and content. I can probably think of small things I’ve done for friends and family throughout my life that may constitute as “sacrifices,” but they’re not quite the same. Getting to this point has been the hardest thing I think I’ve done. There has been that pain in my stomach when I’ve felt like I cannot do enough only to gain the strength to move forward. I mean a physical hurt. There’s an actual ache when you want to raise someone up but you’re not sure how. And when you figure it out, it’s so much joy – not joy for your benefit but joy for the other person.

Of course, there is much more than just these aspects that go into love, but right now these are the specific ones on my mind. I’d need a novel to explore that, not a blog post.

I love Kristin more than I did the first time I told her I loved her. In twenty years I’m sure I’ll look back and say that I love her more than I did when I said it on my wedding day. Having a responsibility like this to someone else is challenging but the reward is tenfold. I cannot and will not let go of her, I could never afford to do that. Bazan and I could tag team beating the of shit out death because it’d take far more than that for me to stop trying – it’s impossible.

“I will not let go. I will not let go. I will not let go of you.”